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Williamsburg Red Dry Pigments
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Alizarin Crimson #P6000684
PR 83 - 1,2 dihydroxy anthraquinone
Easily the strongest Alizarin you can find. Incredibly beautiful, this
particular shade is versatile because it can go sweet (pink) or sour
(orange) very easily, depending on how it's used.
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Cadmium Red Light #P6000587
PR 108 - C.P. Cadmium Sulfo-Selenide
Intense scarlet. Some call it a Cadmium Orange-Red
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Cadmium Orange #P6000546
PO 20 - C.P. Cadmium Sulfo-Selenide
Many people consider this a perfect true orange
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Cadmium Red Medium #P6000607
PR 108 - C.P. Cadmium Sulfo-Selenide
A true medium. Not heading too much into the blue or orange. With cadmiums
this is a difficult balance to maintain
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Cadmium Red Deep #P6000647
PR 108 - C.P. Cadmium Sulfo-Selenide
Slightly bluish. A true "cherry" red. Some might consider this a
medium red.
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Fanchon Red #P6000624
PR 112 - Naphthol AS-D
This is a very beautiful high-keyed red- different from Cadmium Red in that
it leans toward warm, glowing pinks when added to white. This is a very
useful bright red for mixing. It stays cleaner and clearer than most other
reds in mixes. Warmer than Quinacridone Red.
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Carl's Crimson #P6000685
PR 187 - Naphthol AS
Carl Plansky's personal favorite when wanting a rich, permanent crimson. A
touch warmer and slightly less translucent than our standard Permanent
Crimson.
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Quinacridone Red #P6000665
PV 19 - Quinacridone
Many companies use the term "rose" for this pigment. A superb mixing color.
The cleanest pinks, flesh tones, and violets can be made with it.
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Quinacridone Magenta #P6000775
PR 122 - Quinacridone
A quinacridone that fits perfectly between our red and violet shades. A
true, ultra rich magenta that stops just short of becoming violet.
Prismatic in its clarity with a warm inner glow.
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Permanent Crimson #P6000687
PR 177 - Anthraquinone
An absolutely permanent, lightfast substitute for Alizarin Crimson. Not at
all electric or synthetic looking - more down to earth than quinacridones.
Exquisitely clean in mixing.
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